Saturday, October 3, 2026

The Grouch & Eligh "Got to Give" (Day Version) prod. DJ Matt Cassidy [VIDEO]


A correction is necessary from an earlier round. "Got to Give" is produced by DJ Matt Cassidy, with cuts by DJ Mike C credits that were absent from the original single metadata and are now confirmed through the video listing. Owl Green directs. The "Day Version" framing suggests an alternate mood exists elsewhere, though no verified "Night Version" has been confirmed. DJ Matt Cassidy in the producer role maintains the DJ-as-architect tradition that G&E have worked with throughout their catalog. Everything else in the earlier read stands.

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SUPERIOR & LET THE DIRT SAY AMEN "The Saint, The Servant, The Sinner" [ALBUM]

 

"The Saint, The Servant, The Sinner" lands on FXCKRXPRecords as catalog number FRR102. Superior produces, Let The Dirt Say Amen performs, Sapphyre Bardot joins as the sole guest. The three title positions are not separate characters but simultaneous states of one person: the saint seeking alignment upward, the servant extending grace without condition, the sinner locked in self-indulgence. The tracklist works specific biblical coordinates throughout "J.O.N.A.H.", "From Bozrah Dipped In Blood", "7 Churches", "Why The Prophet Weeps". Bozrah appears in Isaiah 63 as the site where God's vengeance begins and his garments are stained with blood a precise reference rather than general spiritual atmosphere. Eleven tracks, all under four minutes, compress the theological density rather than expanding it.

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MOAN & DanimaL "Ascension" prod. MACI [VIDEO]


MOAN and DanimaL state their position without ambiguity: classic hip-hop is the orientation. MACI produces "Ascension." 

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AK the Kid "Dead Zone" prod. SMG [SINGLE]

 

"Dead Zone" is the opening single from "Energy Exchange," the joint EP between AK the Kid and SMG. AK the Kid writes and performs, SMG produces. The project is framed as a proper EP rather than a loose singles campaign, and the title "Energy Exchange" positions the whole collaboration as a transfer of forces music as living transaction between the two artists. 

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Apache & DJ Kanzer "Black Label" [VIDEO]


"Black Label" comes from Apache's album "The 40s," with Psycho Woof and Santo Cerebro serving as executive producers. DJ Kanzer produces all instrumentals, mixes and masters the complete record. Faker handles recording at Santo Sonido Studio. NOFACE directs, operates the camera, edits and grades the color, while Jackreload manages graphic design and photography. The album title borrows from whisky vocabulary Black Label as a quality marker and DJ Kanzer's complete technical authorship gives the project an unusual internal consistency: one person responsible for the sonic and post-production architecture from beat to final mix.

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Showrocka "Stay Gold" [EP]

 

Jay Dubh produces the full album. PXGES executive produces, and Logikil at The Road to Audio handles mix and master. Grafh appears on "Confessions of a Dopehouse," Lyphe joins on "Outsidaz," and Spek Arson takes the remix of the Confessions track. The repeated return to that confessions frame tells you where the album's weight sits not spread across a wide guest list but concentrated into one central narrative line. "Stay Gold" as a title carries the S.E. Hinton echo from "The Outsiders," though it lands here in a street context where the gold is harder to hold. Seven tracks with no padding.

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DJ Hectik1 ft. UTK "Leimert Park Way" [VIDEO]


Leimert Park is a South Los Angeles neighborhood that functions as the historical center of Black LA cultural life jazz, spoken word, visual art, Afrocentric institutions. The World Stage, the Kaos Network, Vision Theatre, and a continuous tradition connecting Charles Mingus performances to Kendrick Lamar's early career all run through the same few blocks. DJ Hectik1 produces and co-directs alongside Big Bo, UTK writes the lyrics, Big Bo Visuals handles cinematography. Naming a track after a place this loaded is not incidental: it's a documentation act for a neighborhood fighting continuous displacement.

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Mac Yames "Masters of the Flying Guillotine" [EP]


"The Master of the Flying Guillotine" is a real 1976 Taiwanese martial arts film that became a cult touchstone its soundtrack influenced the Beastie Boys and GZA, and its imagery has moved through underground rap as a symbol of ruthless precision from a source others underestimate. Mac Yames takes that framework into seven tracks. No production credits or additional details were available. Choosing this title is already a positioning statement: blind master, deadly reach, no hesitation.

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Raz Fresco & Nicholas Craven "Don't Belong" [VIDEO]


"Don't Belong" comes from "Boulangerie Deux," the second joint album between Raz Fresco and Nicholas Craven. Craven produces throughout; Futurewave handles mix, master and cinematography; Raz Fresco edits the video himself. The "Boulangerie" universe is their own constructed world, running parallel to the music through the BKRSCLB platform and its associated community. Craven remains one of Canada's most reliable production voices, working with deep sample literacy and dust-first instincts. The record comes on vinyl through Lowtech Records. Raz editing his own footage is consistent with the self-contained approach both artists have maintained across the full collaborative run.

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John the Bap "Audience of One" [ALBUM]

 

"Audience of One" has lived in development since the late 2000s and arrives now as a completed personal statement. John the Bap produces the entire record himself, directing every song toward God rather than toward a congregation private conversation built into boom-bap architecture with worship samples, raw drums and soulful texture. Altar Flame Music joins on four tracks, Mas Messenjah opens the album. The project carries the particular tension of all genuine spiritual music: it is deeply personal and simultaneously available to anyone who has sat alone with a question too large for ordinary language.

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God & Gunnz (Eloh Kush & Left Gunnz) "Life Of A Thought Dealer" [VIDEO]


God & Gunnz are Eloh Kush and Left Gunnz, a duo running the "God N Gunnz Podcast" alongside their music. The "Thought Dealer" concept renames mental currency in street-market terms: ideas and facts move the same way product would. The freestyle format strips away album architecture and presents the duo directly, without production hiding anything. 

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EL Maryacho "Gunn & Friends" [ALBUM]

 

"Gunn & Friends" is EL Maryacho's full tribute remix album, produced entirely by him. Every track is credited to its original MCs: Westside Gunn across four cuts, Conway the Machine on three, Benny the Butcher on two, Mach Hommy, Estee Nack, Stove God Cooks, Boldy James and Sauce Walka filling the remaining slots. The project doesn't position EL Maryacho as a collaborator he stays off the mic and lets the tribute be honest. That choice matters: rebuilding someone else's performances over entirely new production without inserting yourself is a producer's act of respect rather than a co-sign play.

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Davodka "La Force d'une Ombre" [VIDEO]


"La Force d'une Ombre" is the opening transmission from Davodka's "Act I," scheduled for December 4th. SLG produces, LV2T Productions handles the video, Léo Htag directs, Gabriel de Swetschin operates the camera and Julien Kino manages the VHS treatment. The act structure signals an ongoing narrative rather than a finished statement, and the CD and vinyl pre-order reinforces the physical commitment to the project. The VHS texture serves the theme shadow, impermanence, footage that suggests memory rather than documentation.

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ORION x MOGLY "A Cruel Summer" [ALBUM]


"A Cruel Summer" covers seventeen tracks with mixed production, three credits named explicitly: the title track produced by DR, "Colada" by Last Run and "Cokeria" by Trey8. DJ Exes threads through three tracks as a recurring presence "Boom&Bang," "Sun Sets" and "You Can Have Anything" giving the record a sonic anchor across its shifts in production. Jesus Montana, Pro The Artist, Nick Garcia, Michael Mozart and Noemotion Goldmask fill out the guest spots. The two heaviest runtime slots arrive late: "Eleanor Rigbee" runs nearly five minutes and "Lost Boys" pushes past five, which is where an album usually reveals whether it has the writing to justify its length. The seasonal frame unusually cruel summer reads as honest mood-setting rather than borrowed branding.

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Indigo Phoenyx & BeatsByBoogie "Poseidon Paradox" [EP]

 

BeatsByBoogie provides the complete sonic frame while Jeremy Joshua handles mix and master. Indigo Phoenyx commands the project from a position the title already defines: Poseidon rules the ocean, and the paradox is maintaining power inside constant instability. OSVN joins on "Undertow," Griot Noy on "Luxe Legacy," but this remains Indigo's record through its vocabulary Black Waters, Sunken City, Tridents, Tidal Waves all pointing toward mythology used as survival code rather than decoration. Rugged Triad Records provides the release home. Five tracks across twenty minutes is the right scale for an idea this tightly imagined.

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Armani Caesar "The Liz Symphony" prod. Daringer [VIDEO]


Armani Caesar's legal name is Elizabeth, which makes the title the most direct possible statement. "The Liz Symphony" is her debut single under the joint Griselda Records and RocNation structure, built on Daringer production. Daringer is Griselda's tonal architect dusty loops, bone-dry drums, cinematic stillness and his involvement on a debut single rather than a deep album cut signals that this isn't a soft launch. The Ginger Rothstein reference positions Armani within the mob-film universe that Griselda has built its entire world inside: controlled, dangerous, glamorous and entirely in command. Chad Lawson directs.

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ƎИAꓘ ЯƎTƧIИIƧ & Serenity Kane "Super Sloth" [EP]

 

A correction to a previous entry is warranted. In covering "Compound Fractures," I suggested CK1 and Sinister Kane were likely personas of a single writer that reading was correct. "Super Sloth" introduces Serenity Kane as another voice in the same persona-driven architecture, all lyrics remaining credited to Citizen Kane MHB. The project is explicitly a diss EP aimed at an MC called Yak Towne, giving it a concrete target. CFK and Avalon Productions handle the beats, DJ Snatch That cuts throughout. Six tracks: two substantial songs surrounded by interludes and a skit, with titles like "Baby Ruths Are Chunky. But Chunkys Are Good Too." bringing nursery-rhyme ridicule to bear on a formal diss structure.

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Jazefa "Requiem Maudit" feat. Sowil [VIDEO]


"Requiem Maudit" is pulled from "Accords Nocturnes," Jazefa's album on Evil Venom Records, with production by L'undercover and Sowil adding a second voice. The title holds the tension of the whole project: a requiem for the damned, taking a liturgical mourning form and cursing it into street reality. L'undercover operates with its own established Bandcamp catalog, suggesting a working partnership rather than a one-off production deal. The album title nocturnal chords sets the temperature before a single track begins.

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Unc Doe "Pick Up What I'm Droppin'" [SINGLE]

 

Unc Doe comes from Youngstown, Ohio, a city tied to industrial decline and a hip-hop tradition that rarely travels as far as it should. He writes, performs and produces "Pick Up What I'm Droppin'" entirely himself. The title issues a direct challenge to the listener: catch everything being laid down each bar, each idea, each image. Self-production closes the loop on full authorship, and the Youngstown address means this record exists without any infrastructure outside Unc Doe's own effort.

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Friday, October 2, 2026

Nasty Nel x Kid Gotti "Hip Hop Hooray" [VIDEO]


 Following the release of “The Glades Project” by Nasty Nel and Kid Gotti, a final video has dropped. “Hip Hop Hooray”.

 

Nasty Nel & Kid Gotti Release New Collaborative Project, The Glades Project
Nasty Nel and Kid Gotti have released their new collaborative project, The Glades Project, available now on streaming platforms.

The release arrives alongside the official music video for “Reckless,” giving listeners the first visual from the new offering.

The Glades Project follows Nasty Nel’s recent Humidity EP, released in July 2026. The seven-track project featured collaborations with Tech N9ne, Stevie Stone, Krizz Kaliko, Cappadonna and Token, further establishing Nasty Nel’s place within independent hip-hop, whilst continuing to explore the overlap between rap, grunge and rock influences.

A Native American hip-hop and grunge artist, Nasty Nel is known for his direct lyricism, raw delivery and genre-blending approach. With The Glades Project, he now turns his attention to a new collaborative release with Kid Gotti.

The Glades Project is out now.

Listen to The Glades Project: Spotify

Watch “Reckless”: “Reckless” Official Music Video

Mickey Diamond x Big Ghost Ltd "B.I.L.L.Y. 2" [ALBUM]

 

The important number here isn’t two—it’s five. “B.I.L.L.Y. 2” closes the specific narrative begun with “Wolf Tickets” and continued through “Black Sheep,” “Blood of the Lamb” and “B.I.L.L.Y.” Technically the second half of the fourth installment, it becomes the fifth release in “The Wolf, The Sheep, and The Goat.” That distinction separates this project from the duo’s “Gucci Ghost” run: the newer cycle was introduced with a more introspective, spiritually oriented purpose. The working structure remains concentrated. Big Ghost Ltd produces, Mickey Diamond writes and contributes additional production, while the recurring instrumentation credit belongs to Hector Puente Colon Jr. and the Santiago Men’s Basketball Philharmonic Orchestra. Their documented process combines sample selection with instrumental contributions, though the credits do not identify individual sample sources here. The clearest evidence of continuity sits near the finish: “Wire Tap (Missed Calls III)” extends a thread running back to “Wolf Tickets,” and the closing “U-Tang Forever” remix returns to the Method Man collaboration on the companion album. Swab, CRIMEAPPLE and Big Trip fill out the guest credits, but the record’s identity remains attached to its two principal authors. The finale is built into the sequencing and catalog connections—not merely declared in the title. 

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Mathematics feat. Method Man & AZ "God Body" [VIDEO]


"God Body" works because Mathematics understands Wu-Tang as a complete language: visual identity, Five-Percent vocabulary, turntable culture and production discipline. Method Man approaches the record through elastic timing and vocal weight; AZ brings a smoother, compressed precision. Neither needs to overpower the other, and Mathematics gives the pairing a frame rooted in the world he helped build. The track opens the next "Black Samson" chapter, an entirely Mathematics-produced project linking Wu members with several generations of independent lyricists. His role remains singular: logo designer, touring DJ and producer, connecting the Clan’s visual symbol to its continuing musical architecture. 

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MYALANSKY x Action Figure 973 "Criminal Enterprise" [ALBUM]


"Criminal Enterprise" joins MYALANSKY and Action Figure 973 across twelve tracks. The pairing has a clear conceptual logic: MYALANSKY brings the Wu-Syndicate lineage of codes, conspiracies and organized street language, while Action Figure 973 has built his recent catalog through recurring wrestling, horror and criminal-fiction frames. The available credits don’t provide a producer roster or feature breakdown, so the album’s strongest verified point is the partnership itself—two artists with established underworld vocabularies combining them at full-length scale. 

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Crotona P x Onaje Jordan "Cronaje Pordan" [ALBUM]

 

"Cronaje Pordan" is a true producer-MC album, right down to the title combining both names. Crotona P writes the record; Onaje Jordan produces it from front to back; Tali Rodriguez handles the complete mix and master. That consistency gives the ten tracks a stronger identity than a compilation of unrelated beats could provide. Gnyce contributes cuts on two selections, while the guest list stays controlled and functional. The earlier single "Yuck" now sits inside a broader sequence touching pressure, visible damage, street silence and the last laugh. Crotona’s writing supplies the grime; Onaje’s full-album discipline gives it the class referred to in the project’s own description. 

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King Magnetic "Buckwild and Foul" feat. Bucky Luger [SINGLE]


"Buckwild and Foul" places King Magnetic alongside Bucky Luger in a title loaded with aggression, sports language and wrestling-coded wordplay. The available metadata doesn’t identify a producer or wider project, so the record should not be overread. What is clear is the hierarchy: King Magnetic leads, Bucky Luger adds the second voice, and the single stays attached to the direct, technically minded underground tradition Magnetic has worked in throughout his catalog. 

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Memphis Bleek & Shyst Vader "Pay the Fee" prod. DJ Profluent [VIDEO]


"Pay the Fee" brings Memphis Bleek together with Shyst Vader over DJ Profluent production. Bleek’s presence naturally carries the weight of Marcy and Roc-A-Fella history, but the single is not presented as a nostalgia exercise. With no additional verified credits or wider project information available, the record is best kept in its actual proportions: a focused two-MC collaboration built around a veteran voice and a new pairing.

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Devine Carama "Legacy Minded Men" [ALBUM]


"Legacy Minded Men" turns its concept into policy. Devine Carama spends the first section examining what he has built as an MC, then moves toward the legacy carried through children, mentorship and community service. Brooklyn producer Aesthetic handles the entire soundscape, giving Carama one stable foundation for a record split between public identity and private responsibility. REKS and Tony Wavy appear within the wider cast, but the project’s defining feature is its distribution: digital proceeds support Carama’s youth nonprofit, and physical copies are earned through documented community service rather than a standard purchase. The album doesn’t merely discuss leaving something behind; it asks the listener to participate in the act. 

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Heliocopta & Retrogott "Dreck" [VIDEO]


"Dreck" comes from "Rap Knowledge & Bullshit," a title that refuses to separate serious craft from the mess surrounding it. Heliocopta leads the vocal side, while Retrogott is credited at the boards, keeping the collaboration rooted in the classic MC-producer division. The record’s identity is deliberately unpolished: knowledge without lectures, grime without theatrical hardness. An orange vinyl edition reinforces the project’s physical, collector-facing approach without becoming the main story.

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Merkowitz "Marty Vol. 1" prod. Pro-Logic [ALBUM]

 

"Marty Vol. 1" could easily have collapsed under its guest list, but the construction keeps the hierarchy clear. Merkowitz is the two-MC unit of Dox Tha Doctrine and Syknisis, with Pro-Logic producing the full record. Canibus, KXNG Crooked, Mistah F.A.B., RZA, ETO and Holocaust bring recognisable voices, yet they operate inside one continuous producer frame rather than turning the album into a disconnected set of purchased verses. The songs are allowed to run close to traditional full-length rap form, giving the duo room to share space and develop ideas. It is labelled as the opening volume, but it doesn’t arrive like a preliminary sketch. 

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Cory Gunz "96 Era" [EP]


"96 Era" is structured like a compact skills record. Nottz opens the album with "New York New York," Ski Beatz takes the second slot, OT The Real joins on "Living Proof," and Shaquille O’Neal appears on the Asethic-produced closer. Those names establish lineage without turning the album into a feature parade. Cory Gunz remains the constant: tightly packed writing, quick changes in cadence and a preference for direct rap performance over elaborate song architecture. Even the title "Gave You Power" points toward a foundational New York vocabulary, though no direct sample or remake credit is listed. Eight tracks keep the exercise controlled. 

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Fat Joe feat. Pusha T & Dre "Set of Keys" [VIDEO]


"Set of Keys" understands exactly why these names belong together. Fat Joe has spent decades translating Bronx authority into records that can move between street language and larger production, while Cool & Dre have repeatedly supplied the polished grit that suits him. Pusha T enters a concept already written in his preferred vocabulary, and Dre adds the melodic presence without pulling the song away from its rap core. The record comes from "Organized Rhyme," with Eif Rivera directing the visual and MDmadeit handling animation. It is focused veteran work: familiar subject matter, carefully matched personnel, no unnecessary reinvention. 

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HAZE "2 Hands" [SINGLE]

 

"2 Hands" documents a shift in authorship. HAZE produces himself for the first time, while Grubby assists with the mix and beat EQ. The artwork, created by HAZE’s son, gives the release another layer without turning it into a sentimental campaign. After years of recording over outside production and working within the Massachusetts underground, this is the point where the MC takes responsibility for the full musical foundation. The result matters as process: first self-produced record, first visual collaboration with his child, one release carrying both milestones. 

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Gab Gotcha "BOSS'D UP" feat. GUAP THA GOD [SINGLE]


"BOSS'D UP" places Gab Gotcha inside the structure he has built for himself. Released through Hand of the Crown Music, the single adds GUAP THA GOD without giving away the center. Gab’s history reaches back through Queens underground records, Beatnuts connections and a long self-directed catalog, so the title lands less like a sudden power claim and more like a status report. No production credit is listed, leaving the documented focus on the two performers and Gab’s continuing control of the release frame. 

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Gel Roc x Megabusive x Deeskee "Undefined" [VIDEO]


"Undefined" is the entry point to the third installment of a collaboration that has always treated independent rap as shared infrastructure. Gel Roc, Megabusive and Deeskee build from Los Angeles underground history without reducing the album to a reunion piece. The extended cast—Del, Self Jupiter, members of C.V.E., Hobo Junction and related circles—shows how wide that lineage runs, but the central mechanics remain intact: Megabusive and Gel Roc on the writing side, Deeskee shaping cuts, mixes and production movement. The album is available on limited grey vinyl with no repress planned, while its wider digital-service release is intentionally delayed. 

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Jakprogresso "Skag" [EP]

 

"Skag" is total authorship: Jakprogresso writes, produces, arranges, records and mixes every piece himself. The songs stay compact, but the language remains deliberately crooked, moving through damaged body imagery, abstract observation, pulp references and the unexpected appearance of former quarterback Boomer Esiason. One factual correction is worth making: the seven listed runtimes add up to roughly seventeen minutes, not the twenty-five claimed in the project description. That mismatch doesn’t change the form—a short avant-rap transmission built over intentionally disjointed production—but it matters when the release is being documented accurately. The physical CD is limited to 23 copies. 

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The Grouch & Eligh "Got to Give" [SINGLE]


"Got to Give" is brief, but The Grouch and Eligh don’t need runtime to establish context. Their partnership stretches across multiple eras of independent West Coast rap, from self-contained G&E releases to the wider Living Legends network. Issued through their own imprint, the single continues a model based on direct audience support and creative control rather than outside infrastructure. No producer is listed in the available metadata, so the strongest factual read is also the simplest: two longtime collaborators adding another compact piece to a catalog built on durability. 

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Prolific Wone feat. Apex Zero & Mas Law "Bandaids" [VIDEO]


"Bandaids" carries two positions at once: it is the first formal release from the album "DANGEROUS" and the fifth chapter in an eight-film narrative. That distinction matters. Prolific Wone isn’t simply attaching visuals to a single; he is moving a story from New York into London, where Manage’s production and verses from Apex Zero and Mas Law extend the record’s transatlantic logic. The spy-film language gives the series a frame for questions of loyalty, identity and purpose without reducing the music to soundtrack material. Directed by Jimmy Chiba and Prolific Wone, with Apex Zero involved in film production, the visual side is being built by the same network carrying the music. 

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The Lil People, Rufus Sims, Jae Haze & Tony Baines "Is You Koo" [ALBUM]

 

"Is You Koo" is built around Chicago chemistry rather than outside validation. Rufus Sims and Jae Haze work as The Lil People, trading perspectives with the ease of a functioning group instead of two solo artists temporarily sharing a cover. Tony Baines provides the full production frame, with Jagwar Dot remixing two selections and Slitta appearing twice. The writing stays organized around clear subjects, while the title draws from everyday Chicago speech and turns a simple check-in into the project’s central question: are you solid, present and moving correctly? A 25-copy digipak edition keeps the physical release strictly local and collector-minded. 

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MED "Strip Show" feat. Big Twins & Pok Dogg [SINGLE]


"Strip Show" finds MED continuing through his own Bang Ya Head operation, keeping control of a catalog that has long moved between solo records and tightly selected producer partnerships. Big Twins and Pok Dogg add distinct voices, but this remains MED’s record rather than a guest-driven event. The available credits don’t identify the producer, leaving the verified frame concise: one three-minute single, two supporting MCs and another independent move from an artist who has never needed a major-label structure to maintain continuity. 

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William J. Sullivan "Just Call Me Bill (Deluxe Edition)" [ALBUM]

 

"Just Call Me Bill" is less a conventional producer showcase than a map of William J. Sullivan’s listening history. His background runs through metal rooms, independent rap, experimental labels and high-level studio work, and the guest list reflects that width without turning into a random compilation. Rob Sonic and doseone connect the record to the left-field rap that helped shape Sullivan’s ear; ShrapKnel and Brian Ennals bring a harder contemporary edge; Luci, Hoko and Paris Texas widen the palette further. The deluxe edition places the complete instrumental sequence beside the vocal album, allowing Sullivan’s arrangements to stand without the MCs. Produced and mixed at his Long Beach studio, mastered by Alec Ness and issued on a 50-copy CD run, it is both résumé and personal statement. 

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Killah Dilla x Gold Kid "Fine Wine Dining" [SINGLE]


"Fine Wine Dining" gives Killah Dilla and Gold Kid barely two minutes to establish their pairing. The title pulls from luxury language, but the compact runtime keeps the record from presenting itself as a grand statement. No producer is listed in the available credits, so the focus remains on the two artists and the efficiency of the format: one image, one short run, no unnecessary extension. 

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4-IZE feat. Dillon "Dressed Up" [VIDEO]


"Dressed Up" lands deep into "49th Birthday," a twelve-track record framed around longevity without turning age into a nostalgia campaign. D.R.U.G.S. Beats supplies the production, Dillon joins on the mic, DJ Wickit handles the scratches, and the session was recorded at Mudnoc Studios. That combination fits 4-IZE’s established lane: agile writing, unusual cadences and enough personality to keep traditional lyricism from becoming rigid. The wider album brings in names including Xzibit and Bruiser Wolf, but this cut stays rooted in the working relationship between 4-IZE and a producer who has repeatedly understood how much space his delivery needs. 

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OT The Real "HEAT II" [SINGLE]


"HEAT II" keeps the format deliberately tight: three records in nine minutes, released through OT The Real’s own operation. It sits less like an expanded single and more like a sealed street-rap capsule, built for immediate impact and clean replay value. The available metadata doesn’t provide individual production credits, so the project is best read through its scale and positioning: a direct continuation of the "HEAT" line, stripped of filler and presented as one concentrated burst. 

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Utopian Knights "alien." [ALBUM]

 

"alien." treats introspection as structure rather than mood. Mr. Greene moves from displacement and social disillusionment into family distance, depression, failed intimacy and the difficult work of accepting his own part in the damage. The writing is strongest when it refuses easy absolution: isolation may offer clarity, but it also exposes every excuse; marriage may collapse between two people, but Greene still accounts for what he carried into it. Stereo Schizo handles the full production frame, giving the record one continuous perspective from its brief overture to the closing epilogue, while BuBu keeps the technical side unified. The result is personal without becoming shapeless, and philosophical without hiding the human cost behind abstract language. 

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Baron Von Alias ft. Skyzoo, Masta Ace, Smif-N-Wessun & Darien Brockington "And The Story Goes..." [SINGLE]

Baron Von Alias Brings Hip-Hop Royalty Together for “And The Story Goes…”

Independent Newcastle upon Tyne hip-hop artist Baron Von Alias returns with his latest single, “And The Story Goes…”, bringing together an extraordinary line-up of hip-hop royalty for a thought-provoking journey through storytelling, legacy, history and the idea that our stories never truly end.

Produced by Grammy-nominated producer Khrysis, “And The Story Goes…” delivers trademark boom-bap production, providing the perfect backdrop for an all-star collaboration featuring Skyzoo, Masta Ace, Smif-N-Wessun and Darien Brockington, with additional cuts from acclaimed turntablist, DJ A.D.S.

At the heart of the track is a simple but powerful idea: our stories continue long after the moment has passed. Through the words we leave behind, the actions we take and the music we create, pieces of our story can continue to travel through time, passed from one generation to the next.

That concept ties directly into the overarching themes of Baron Von Alias’ upcoming project, “Bootstrap Paradox,” where ideas of time, causality, history and the infinite possibilities of the multiverse are woven throughout the project.

“And The Story Goes…” takes those ideas and turns them into a meeting of generations and perspectives. Each guest brings their own interpretation of what it means for a story to continue, creating a track that feels both deeply personal and universal.

Masta Ace and Smif-N-Wessun bring decades of experience and perspective to the concept, while Skyzoo adds his trademark lyrical storytelling and intricate wordplay. Darien Brockington’s sublime vocals weave throughout the record, adding an emotional and soulful dimension to the track and reinforcing its timeless quality.

Baron Von Alias uses his own verse to bring the concept full circle, drawing on the structure of The Hero’s Journey and exploring the idea of leaving a mark on history so that the legend can live on long after the journey itself has ended. His perspective turns the track into a reflection on the artist’s desire to create something that can outlive them — becoming a story that continues to be told throughout the ages.

“From the beginning, I’ve always seen this project as a journey, and The Hero’s Journey is something that really resonates with the story I’m telling through Baron Von Alias and the whole Bootstrap Paradox project. With my verse, I wanted to bring that idea full circle and look at what it means to leave a mark behind — to create something that can outlive you. For me, that’s the ultimate goal: to make music that becomes part of your legacy, so that long after the journey has ended, the story is still being told. Because as long as the story continues, in some way, the legend lives on.”— Baron Von Alias

Adding another layer to the time-travelling concept, DJ A.D.S. provides the cuts, bringing fragments of other eras, voices and musical moments into the record. His scratches help reinforce the idea that music itself is a form of time travel, carrying voices and stories from the past into the present and potentially far beyond.

The result is a cinematic boom-bap collaboration that feels simultaneously rooted in hip-hop’s history and concerned with its future.

“And The Story Goes…” is more than a song about storytelling. It is a song about what happens when the story keeps going.

Various Artists "Bassments of Badmen 4" [ALBUM]

In celebration of their 30th Anniversary, Hand’Solo Records releases the fourth volume of their signature compilation series, Bassments of Badmen. BOB4 is a curated collection of posse cuts and collaborations composed of friends and family of the label, featuring such Canadian rap luminaries as Moka Only, Birdapres, Touch182, Noah23, Wordburglar, and more, plus the return of The Goods, Hip Club Groove, and American weirdos Hawd Gankstuh Rappuhs MC’s Wid Ghatz. Fans of posse cuts will enjoy this mix of different voices joining forces to express their individual ideas in unique combinations.

Thursday, October 1, 2026

Los Chicos Criollos (Kingdom Kome x Che Uno) "Olmedo Y Porcel" [VIDEO]


Los Chicos Criollos the rhyme-slinging duo of Kingdom Kome + Che Uno have just dropped a new video + single “Olmedo Y Porcel.” Named for the legendary Argentinian comedy duo Alberto Olmedo and Jorge Porcel, the emcee duo displays a similar attack of irreverent bars, flowing back & forth while flexing in English and Spanish effortlessly.

Filmed on location at the El Almacen Café in Toronto, Canada by WIZDOME BUNITALL (for Fuego Films) the track is powered by frequent collaborator of the duo, producer/DJ RUEN.

“Olmedo Y Porcel” is the first leak from the forthcoming Los Chicos Criollos album, Merca Musica to drop on November 10th via Walking With Enoch Music. Though they have two Halloween themed mixtapes together (Brujos 1 + 2 respectively) this will be the first full Los Cricos Criollos album produced by RUEN. With frequent references to their shared Argentinian roots the album title translates roughly to the slang title of dope music. As Kingdom Kome states “we are trafficking this pure uncut and unfiltered product, which is our music, and we feel the whole concept just got elevated with RUEN’s contributions.”

Bernadette Price & Terror Van Poo feat. Ras Kass "Anger Built Up" prod. Vinny Idol [VIDEO]


Following "U May Not Understand" (prod. Beatz By Neff) and its video, "Anger Built Up" arrives as the next cut from the Bernadette Price/Terror Van Poo axis. Vinny Idol produces this time, with Ras Kass joining as a feature. Ras Kass has been one of the West Coast's sharpest lyrical voices since "Soul On Ice" (1996), and his guest verses rarely lose density. ReemoFilmedIt directs. Duck Down Music distributes. Bernadette Price holds the center here as well: Ruck Down heritage, now supplemented by a West Coast voice operating at the same level.

Transparency Note: Content & research created independently by HHHEADZ. AI tools are strictly used for translation and language refinement.

Ghostface Killah x Producer Plug "50 Years of Hiphop" [SINGLE]


Ghostface Killah needs no introduction: a member of Wu-Tang Clan since 1992, with "Ironman," "Supreme Clientele," "Fishscale," and one of the most consistent careers in rap history behind him. "50 Years of Hiphop" with Producer Plug marks the celebration of five decades of hip-hop culture. No further credits were available. With Ghostface, the voice itself is the quality guarantee.

Transparency Note: Content & research created independently by HHHEADZ. AI tools are strictly used for translation and language refinement.

CrimeApple & Michaelangelo "Fondue" [VIDEO]


"Fondue" is the second video pulled from CrimeApple's "PEDIGREE" album with Michaelangelo, following the already-covered title track. SyberianTiger shoots and edits. CrimeApple stays in his lane: image-dense, hookless, more flow than structure. A second video from the same album confirms "PEDIGREE" carries enough material for an extended campaign.

Transparency Note: Content & research created independently by HHHEADZ. AI tools are strictly used for translation and language refinement.