Apollo Brown x Skyzoo "Luxury Tax" [ALBUM]

 

Apollo Brown & Skyzoo - Luxury Tax

Skyzoo:

"With this album, the idea is realizing what you want and what you're willing to put forth for it. 

Everything has a tax on it, and when you decide you want something, be it material or figurative or anything significant, when the tax is revealed you have to decide if it's still worth it. 

This album represents making that decision from a place of growth, maturity, 10 years wiser than the last time Apollo and I were around these parts. 

The album starts out with the listener and I taking a drive to get that "thing", and by the end we're looking in the rear view mirrors, at the end of the drive, reflecting on what it was all worth”

The new studio album “Luxury Tax” is out now - https://ffm.to/luxurytax 

Also in physical format here - https://escapismrecordings.com 

 
For more information on Skyzoo:
https://writtenbyskyzoo.com/
https://www.instagram.com/SkyzooTheWriter
https://x.com/Skyzoo
https://www.facebook.com/therealskyzoo/
https://www.youtube.com/user/SkyzooTV 

For more information on Apollo Brown:
https://apollobrownmusic.com
https://escapismrecordings.com/ 
https://www.instagram.com/apollobrown 
https://www.facebook.com/ApolloBrown/ 
https://x.com/ApolloBrown

Novatore x Lord Goat "Lords of Chaos" [SINGLE]

"Lords of Chaos" puts Novatore and Lord Goat the latter from the Godfathers circle, known for dense, uncompromising lyricism in the same short space without wasting either voice. The title isn't bravado; it's a positioning statement. Chaos as creative mode, as refusal of categorization, as an underground principle that both MCs operate from already. Brief, direct, and carrying the weight of two catalogs that earn the title.

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Kurupt x Masta Killa "Is It Love" feat. Jamall Ray prod. Rakim x Nick Wiz [VIDEO]

"Is It Love" steps outside the album's heavier moments to find something between the two camps Kurupt's Dogg Pound aggression and Masta Killa's Wu Tang precision with Jamall Ray supplying the hook that gives the track an unexpectedly soulful exterior. Rakim and Nick Wiz produce; the God Emcee working behind the boards rather than the mic is its own statement. The full "DPG-Wu-Tang, Wu-Tang-DPG" tracklist positions this single in a larger landscape: Daz Dillinger, Ghostface Killah, Raekwon, an Eminem and Jay-Z interlude, Buckshot, Killa Sin, KRS-One, Kool G Rap, Snoop Dogg a crosscoast cipher built on legacy and mutual respect.

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DNTE x IM'PERETIV "Soliloquy of a Sociopath" [ALBUM]

 

"Soliloquy of a Sociopath" moves from the inside of a mind that doesn't trust its own reasoning and the album structure follows that logic. "Opening Scene" sets the stage; "Cadbury" delivers early unease; "Chemistry Class" brings Nowaah the Flood into the equations; "Saratoga Springs" with L-Biz offers the album's most extended thought; "Alto Knights" with Wyze Wonda closes the witness list. DNTE inhabits the frame with the kind of controlled discomfort that makes this kind of concept work not a horror performance, but a precise character study. IM'PERETIV's production functions as the case file: cinematic, dark, and completely committed to the premise.

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UUu Tang Maskman "PEACE GOD" [ALBUM]

"PEACE GOD" is Five Percenter vocabulary a greeting, a dismissal, a worldview compressed into two syllables. As an album title, it plants UUu Tang Maskman's flag clearly in the lineage of Wu-Tang-adjacent spirituality without simply reproducing that aesthetic. Eleven tracks, full-length format, and an MC who uses philosophical framing not as decoration but as structural foundation. This is rap that speaks from a belief system rather than toward one.

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Mxxx "Culero y Terco" (TCDLKTS) [VIDEO]

"Culero y Terco" translates roughly as "asshole and stubborn" and that's the entire manifesto. Mxxx drops this across the SLREC, BAAANG, and 97SHITREC infrastructure without softening the edges or offering context for those who might need it. The track operates in the tradition of Spanish-language raw rap that treats directness as an aesthetic system rather than a shortcut: no apology, no soft landing, no alternative reading invited.

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Eclyse x Skinny Bonez Tha Godfatha "Anomalous Pathway" [ALBUM]

 

"Anomalous Pathway" is honest about its own premise: Eclyse steps off the established map, and Skinny Bonez Tha Godfatha provides a soundtrack that feels intentionally unfamiliar. Eclyse writes, Skinny Bonez produces, mixes, and masters, and the artwork is a shared mixed-media construction between both. "Hazardous" brings Bleach, ILLtemper, and Sadida; "Shadows of Colossus" adds G Fam Black. Ten short tracks, none of them shallow. The project describes itself as an acquired taste that's not a warning, it's an accurate description of what it does: reward patience with texture that doesn't reveal itself on first contact.

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Wais P "Special Holympics" [SINGLE]

"Special Holympics" is a title that walks a deliberate edge, and Wais P knows it. The "H" does real work it's not a clumsy stumble into sensitive territory but a pointed reframing of the word, using provocation as a structural tool. Wais P's approach has always been dry wit sharpened to a blade's edge: this is a short record that challenges its listeners to follow the logic rather than react to the surface.

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Le Zeppo "Road Warriors" feat. Asun Eastwood & Dealwon [SINGLE]

"Road Warriors" earns the title by filling it with voices that actually live the road-warrior mode. Asun Eastwood brings the compressed, undecorated aggression of his Griselda-adjacent training; Dealwon adds another angle; Le Zeppo keeps the frame together. Three MCs who don't need to announce their status because the bars do it the warrior metaphor only holds when the people using it can back it up.

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Durty Rob "Good RIDDANCE" [VIDEO]

"Good Riddance" functions as the first clean break before Durty Rob's "DETERMINED EP" arrives in December 2026. Beat Busta produces, Linndz Production mixes, E&E Made In The East Films shoots the visual. The title earns its position: as a lead single to an EP called "DETERMINED," a goodbye makes structural sense you don't get to determination without first releasing whatever was holding you back. Short, purposeful, thematically tight.

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JUNK x IM'PERETIV "Together in Pieces V" [ALBUM]

 

"Together in Pieces V" continues the series with the same structural discipline: five tracks plus their instrumental counterparts, giving the production work its own space rather than treating it as background. JUNK and IM'PERETIV keep the sonic environment dense and shadowed; Daniel Son steps in on "Hantavirus" with the kind of sharp, controlled aggression that he brings to every feature. "Still Wealthy," "Who's in the Mirror," "Out West," "Tired of Humans" complete the cycle. By the fifth volume, the formula is proven the question is whether the ceiling has been found yet.

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Napoleon da Legend x Dub Sonata "Sports Vet (Overtime)" feat. Tone Spliff [SINGLE]

"Sports Vet (Overtime)" uses the overtime frame to say something real about longevity in underground rap: staying in the game past the moment when most people expected you to retire. Napoleon da Legend and Dub Sonata build the track with Tone Spliff's turntable presence as a fourth voice cuts functioning as both rhythm and punctuation. The sports veteran metaphor earns its keep because the MCs behind it actually are veterans, and the track doesn't pretend otherwise.

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Xzibit, B-Real & Demrick "Call the Cops" [VIDEO]

"Call the Cops" works as confrontation rather than statement. Serial Killers Xzibit, B-Real, Demrick use the phrase as a taunt, not a plea: directed at snitches, surveillance culture, and everyone who mistakes real for performance. Scoop Deville produces, Ineffable Records handles the release, and the three-voice format gives the record the weight of a unified front rather than a collection of individual verses. West Coast grit through a shared lens.

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BA PACE / HI-POST "IT GET SFX TRICKY" [EP]

 

"IT GET SFX TRICKY" wears its intelligence lightly but carries it deep. BA PACE and HI-POST represent PublicHousingNYC's approach: eight pieces that use wordplay, cultural reference, and sonic texture as overlapping systems. "HE TRIED TO SPIN GOT SPUN LIKE WAX" turns vinyl into a metaphor for getting played; "SHOOT AT YOUR CCTV" confronts surveillance with direct hostility; "THAT ONE PICTURE OF KOBE BRYANT" reaches for collective cultural memory; "WHEN WE WAS YOUNG WE DIDNT LISTEN EITHER" flips generational critique back on itself. PEP57 and BLK RMBRNDT appear on the extended "THE OPAQUE BLANKET," and HI-POST's artwork rounds out the package. Trickster rap with real architecture underneath.

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Talib Kweli x Large Professor "Rare Heir" feat. Bun B [SINGLE]

"Rare Heir" puts Talib Kweli and Large Professor the East Elmhurst producer responsible for early Nas beats and the foundational Main Source work together with Bun B on a single track that holds the weight of all three careers without announcing it loudly. Large Pro operates here as a creative equal, not a legacy feature: his production vocabulary is too specific and too live to be reduced to nostalgia service. Kweli brings socially grounded lyricism, Bun B brings UGK legacy and Southern authority. The inheritance the title names is real.

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TRES CORONAS & Charles Ans "La Vía Del Tren" [VIDEO]

"La Vía Del Tren" is the lead single from TRES CORONAS' seventh studio album "INTER," produced by Kobébeats, directed by AIRFONZ, featuring Charles Ans. Rocca and PNO the Colombian duo who began their journey on New York streets have built one of the most distinct identities in Latin hip-hop over nearly three decades: French rap legacy from Rocca's side, Bogotá street weight from PNO's. The track carries a message of hope for Latin American immigrants seeking a better future abroad not as a political slogan but as a lived experience shared with the audience. After seven albums and this much road, the railroad metaphor lands with full emotional weight.

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SMELLO x SOUL LA FLARE "MELLOLAFLARE" [ALBUM]

 

"MELLOLAFLARE" plants its flag early and doesn't retreat. "CONCRETEAMAZON," "MELLOLUTHERKING," "MARCUSMELLOGARVEY," "FUCKGENTRIFICATION" the track titles alone map the album's political and cultural coordinates. SMELLO and SOUL LA FLARE keep each piece short and grounded, with features from J.O., TOPLIST MAGNETIC, DATKIDBRAVO, NYEUSI LOE, CHYNA BAEJING, and KALEO JACOBS adding texture without diluting the focus. Released through 23 Incredible Industries, the project is compact by design: not every point needs a long argument.

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Benny Holiday x Snowgoons x j Daw "Underworld" [SINGLE]

Snowgoons and "Underworld" belong together naturally the German producers have spent their career building sonic chambers that fit exactly this kind of dark-room street rap. Benny Holiday and j Daw step into that space and work the underworld framing as lived terrain rather than genre decoration. The Snowgoons stamp guarantees production quality; whether the bars match that ceiling is the real question the single answers.

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Killah Dilla x Sado x Frizzy Astro "Jealousy" [SINGLE]

"Jealousy" works if the three voices Killah Dilla, Sado, and Frizzy Astro are honest about the texture of the feeling rather than performing immunity from it. Jealousy in street rap is most dangerous when it's dressed up as strength, and most interesting when it's examined without pretense. Frizzy Astro's production leans into the shadowed emotional register the subject demands. Three angles, one bruised room.

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Error 999 "Via Prohibida" feat. Victor Rutty, Rober Del Pyro, DJ Kaef [VIDEO]

"Via Prohibida" is built from a simple truth: the underground road is, by definition, the one that's blocked off for most people. Error 999 brings Victor Rutty and Rober Del Pyro down that path, with P. Jaguar producing, DJ Kaef handling scratches, mix and master, and Juan Pablo Huston directing the visual under the Uaiakan umbrella. Three voices, one forbidden route the crew chemistry holds because every participant earns their place on the track rather than filling a slot.

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Gawdbless & Franklin "Gawd & Money" [EP]

 

"Gawd & Money" puts an old tension to work across six tracks without resolving it cheaply. Entirely produced by 3Sixzero, the project from Frontline Entertainment and Boathouse Collective treats the title's opposition as lived experience rather than moral theater. Gawdbless and Franklin aren't preachers or street philosophers by decoration; they're working through the real pull of two competing systems, and the album's best moments are the ones where neither side wins cleanly.

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Coyote x Xzibit "Foo You Know I'm Down" [SINGLE]

"Foo" as address is embedded in Southern California street language it's a word that carries specific cultural weight before any bar is delivered. Xzibit brings the veteran authority; Coyote brings the contemporary sharpness. The track functions as a direct loyalty declaration, and its strength comes from not overbuilding around a premise that works at its most stripped-down. Two voices, one side, no ambiguity.

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Action Figure 973 x Soul La Flare "Dark Side Of The Ring 4" [EP]

"Dark Side Of The Ring 4" maintains the series' discipline: nine tracks, same pairing, same thematic territory, sharpened rather than repeated. Action Figure 973 and Soul La Flare use the wrestling framing as structural logic rather than decoration "dark side" means the reality beneath the performance, the unseen weight behind staged confrontation. A four-part series lives or dies by how much the participants grow between entries, and this one signals that the collaboration has found its groove rather than its limit.

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Styles P "Compound Ghost" [VIDEO]

"Compound Ghost" is the lead-in to "Ghost of the Past, Present, and Future" on October 30 an album title that maps onto Styles P's entire career logic. "Ghost" has been his alias since The Lox era, and stacking past, present, and future onto it turns a stage name into a self-portrait. Directed by Your Drunk Uncle and SetFree, the visual carries that weight without over-dramatizing it. Styles P is at his most effective when the production matches his measured darkness the album will reveal whether that condition is met across all its tracks.

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Your Old Droog "Bread & Butter" [ALBUM]

 

"Bread & Butter" functions as a producer ecosystem rather than a guest showcase J-Es on tracks 1, 7, and 12; Roper Williams on 2; Cartune Beatz on 3; Ohbliv on 4 and 6; Matt To The Future on 5 and 8; Conductor Williams on 9; Flying Lotus on 10; K-Nite 13 on 11. The range is wide but never scattered, because Your Old Droog's writing voice is strong enough to pull every production into his frame rather than adjusting to each one separately. Evidence, A-Reece and Masta Ace on "Pavlovian Effect" with keyboard from DJ Harrison Oddisee, Tarriona 'Tank' Ball, Kim Hill, and Georgia Anne Muldrow on "I Don't Care" fill the feature slots without crowding the center. This is literary hip-hop that chooses its collaborators with the care of someone building an argument, not filling a quota.

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Bad Lungz "Ghost Sparring" [EP]

"Ghost Sparring" earns its title by treating shadow-boxing as a sustained internal condition rather than a one-track metaphor. Nine pieces, each one a round against an opponent that doesn't stand still and can't be knocked out permanently past versions of yourself, the weight of previous decisions, the fatigue of staying upright. Bad Lungz works in the space between street realism and psychological honesty, and the album holds that tension without letting either side collapse into the other.

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Da Inphamus Amadeuz "Henny Astrology" feat. Tahmell, Rezen, Rah Tha Ruler & Shortee Sha [SINGLE]

"Henny Astrology" is a five-voice single that works because every MC knows their role. Da Inphamus Amadeuz, Tahmell, Rezen, Rah Tha Ruler, and Shortee Sha read the cosmos through a Hennessy bottle and the conceit holds up as long as the bars justify it, which they do. Holding five distinct voices on a single track without any of them swallowing the others is a craft problem, and this solves it through pacing, sequencing, and the kind of crew instinct that comes from real chemistry rather than assembled features.

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MC Random "Ran Zilla 2" feat. DJ Broadway, Seefor Yourself & Breeze [VIDEO]

"Ran Zilla 2" pulls from MC Random's "Preatus 5: Randromeda" on Flourish$Prosper Music Group with DJ Broadway on live turntable cuts and Seefor Yourself and Breeze as features. The black-and-white video isn't a retro affectation it's a commitment to letting the bars and crew chemistry carry the entire visual weight without distraction. By the fifth entry in the Preatus series, MC Random has developed a consistent framework: independent production, tight collective energy, and a refusal to chase sounds that don't belong to his lane.

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Apollo Brown & Skyzoo "Luxury Tax" [ALBUM]

 

Apollo Brown and Skyzoo are the kind of combination where neither artist has to bend their identity for the other they meet at the music and let the chemistry do the talking. "The Easy Truth" has long been regarded as one of the strongest entries in Skyzoo's discography, and "Luxury Tax" carries the weight of that comparison from its first bar. Produced entirely by Apollo Brown, the album serves as a follow-up to their 2016 breakout and a celebration of its tenth anniversary, flooded with Apollo's signature soulful knock and Skyzoo's layered lyricism, targeting themes of duality, growth, and cultural celebration. Elzhi and Blu step in on "The Blind Spot" the album's most feature-heavy moment while the remaining thirteen tracks stay between Apollo and Skyzoo alone. While the two albums will inevitably be compared, "Luxury Tax" undoubtedly stands on its own. The title says it plainly: ambition always sends a bill.

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Che Noir "Urban Essence" feat. The Uce prod. Havoc [SINGLE]

Havoc producing for Che Noir isn't a legacy play it's an active, current statement. The Mobb Deep beatmaker brings his signature dark pocket to "Urban Essence," and The Uce holds the hook with the kind of hook-craft that makes a record feel lived-in rather than assembled. Che Noir anchors the center: Buffalo-born grit filtered through the perspective of parenthood, growth, and the infrastructure that holds a life together. "It Takes A Village" due October 23, 2026 promises a full lineup of Black Thought, Ransom, Bruiser Wolf, Conductor Williams, Mathematics, Chuck Strangers, and Nottz. This single sets the table and makes clear that Che isn't interested in being underestimated anymore.

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Tuck 88 "For They Know Not" feat. N'Dea Tha Dada x Joe Daytona [VIDEO]

Tuck 88 builds "For They Know Not" from two layers that don't obviously belong together: the bottom half is boom bap, structured and hard-hitting, while the top carries alternative soul samples that add harmonic depth without dulling the drums. N'Dea Tha Dada and Joe Daytona from the Humble Narcissist Collective show up as features who contribute weight rather than filler voices that shift the track's texture rather than just adding verses. The "grown man lyrics" framing isn't promotional language; it's a structural approach. These are bars built on lived experience rather than borrowed street theater.

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Nick Bruno "Brutality" [ALBUM]

"Brutality" doesn't soften the premise. Ten tracks, one mode: direct confrontation with the conditions that produce the word in the title. Nick Bruno doesn't dress the concept in metaphor or try to make it palatable the street reality, the systemic weight, the personal pressure all get called by their right names. The production stays lean, the bars stay pointed, and the album's strength is exactly what the title promises: no cushion between the listener and the material.

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LEY 20MIL x RAPIAM "El Portal" [VIDEO]

"El Portal" is a crossing LEY 20MIL from Chile and RAPIAM from Venezuela meeting at a threshold that the Latin American underground doesn't always acknowledge openly. Lyrics from Rapiam, Macrodee, and Linterna Veiderr, produced by Macrodee under the Hazlo Mientras pUedas Records banner. The portal concept holds: this is two scenes making contact not through commercial logic but through shared values, shared grit, and a shared refusal to be contained by regional categories. The boom-bap language translates across borders because it was never about geography.

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Cochise MC x Telly Mclean "Sheet Music" [ALBUM]

 

"Sheet Music" is disciplined from the first second the eight-second opening "YUTKDRGZDNNY?" refuses to waste a moment on preamble. Cochise MC and Telly Mclean keep most tracks under three minutes, treating brevity as craft rather than limitation. Features from TAQUAN, INVIZIBLE HANDZ, and BYRDLAND arrive with purpose and don't overstay. "DR. YORK," "FUNK DOC," and "BLOOD SWEAT AND TEARZ" carry the album's structural weight. It's a project that scores its thoughts in tight measures rather than extended runs, treating each track like a fully formed musical sentence.

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Jay Nice x Tha God Fahim x August Fanon "FANONMENAL" [ALBUM]

The title isn't a throwaway pun. Fanon Frantz Fanon, Algerian psychiatrist, theorist of decolonization and revolutionary violence as the conceptual spine of an underground rap project is a deliberate claim. Tha God Fahim brings his compressed, martial writing; Jay Nice brings precise, concept-forward lyricism; August Fanon grounds the project in production and ideological framing. Across ten tracks, the album reads as political rap with genuine theoretical weight rather than borrowed vocabulary. The name earns its place.

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JMorr UpOne "All Playas Go To Heaven" [EP]

"All Playas Go To Heaven" flips the familiar reference into something that earns its ambition on bars alone. Nine tracks, one central tension: can the code that shaped you be reconciled with what comes after? JMorr UpOne doesn't answer that question cheaply the album works best when it sits in the discomfort between street identity and accountability, between the life played and the ledger kept. Compact in length, larger in intent.

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Pitchcaps "Showtime" [ALBUM]

 

"Showtime" is Pitchcaps' first full album after four EPs, and the three members Djar One, Senbeï, and Kesta treat it like the announcement they've been building toward since the Acoosmik years began in 2005. Djar One handles the bulk of the production, with Kesta producing "P.I.T.C.H.C.A.P.S.", "I Like My Beats Hard", and "Saoul Assassins"; all cuts belong to Kesta; the mix and master are done by Djar One at Beats House Studio in Le Havre. The guest list stretches wide: Phill Most Chill, Whirlwind D, Chrome, BlabberMouf, Viktor Coup?K, and the enormous closer "Money Time," which packs Gérard Baste, Mr Xavier, DEF, Jimmy Cena, Le Jules, Anton, MC RYT, and JC Vandal onto one five-minute stage. The album is funky, politically grounded, and built for live environments a crew that writes like they're facing an audience, not a mixing desk.

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Kardinal Offishall "Firestarter Vol 2: Everyday, Sometimes…" [ALBUM]

The real context for "Firestarter Vol. 2: Everyday, Sometimes…" is what didn't happen in 2003. A planned "Firestarter Vol. 2: The F-Word Theory" was shelved when MCA collapsed into Geffen, leaving Kardinal without a label and without a sequel. What survived was "Belly Dancer." What follows now, decades later, is the actual volume two ten tracks built from a different life stage. The tracklist includes "Heavy Is The Head," "40 Acres And A Ferrari" with Black Thought and Stove God Cooks, "All Nighter" with T-Pain and Konshens, "Kiss Me When I" with Glenn Lewis, "Top 3" with Buju Banton and Idris Elba, "My Brother's Keeper (Part 2)" with Nesta, "When You're In Love" with Melanie Fiona, "Bombay Sunsets" with Idris Elba, "Where There's Smoke," and the title track with BJ The Chicago Kid. Jason Drew Harrow, born in Toronto, built his reputation from the city's mid-1990s underground scene. That origin still lives inside every Kardinal record, even when the features carry international weight and the sound reaches far beyond T-Dot. This isn't a comeback album it's a statement from someone who never really left, just got quiet.

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SC Static & Jesse Castro "Static Shock" [ALBUM]

 

"Static Shock" is SC Static's 16th solo album and second full collaboration with producer Jesse Castro and at this stage of their partnership, Castro's production doesn't sound like an external contribution anymore. It sounds like the room Static thinks in. Seventeen tracks, sequenced like a live circuit: "Shocking Isn't It?" opens the breaker, "Electricity" and "Static Shock" hold the middle current, and "Static Apocalypse" closes the grid. Quanah Jay Hicks of Seven Star Interactive handles the entire technical chain recording, mixing, mastering while Decaf Black supplies the visual identity. The album's most charged moment comes at "The Future 2.0," where Akir and Immortal Technique step in to send voltage through the finale. It's the kind of album that doesn't announce itself loudly because it doesn't need to.

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Rakim x Kurupt X Masta Killa "Is It Love" [VIDEO]

 
RAKIM, KURUPT & MASTA KILLA – LANDMARK COLLABORATIVE ALBUM ‘THE GODBODY’

‘THE GODBODY’ FEATURES COLLABORATIONS WITH SNOOP DOGG, GHOSTFACE KILLAH, RAEKWON, KRS-ONE, DAZ DILLINGER, KOOL G RAP & MORE

Despite a career that redefined the art form — Eminem has called him “probably the greatest rapper of all time” — Rakim spent his entire career without a single Grammy nomination. That began to change on 5.8.26, when his debut album, Paid in Full, was inducted into the Grammy Hall of Fame during a ceremony at the Beverly Hilton in Los Angeles — a long-overdue acknowledgment of his impact on the culture.

 The Godbody is more than an album, it’s a landmark moment for Hip-Hop; but its also a mission that aligned three of hip-hop’s most respected lyricists to deliver a body of work built upon mutual respect, legacy, uncompromising artistry and coastal unity.

Recorded across both coasts: Kurupt representing California and Masta Killa and Rakim representing New York, the project was built to showcase the diversity and versatility of the trio while embodying a vision first imagined by the late Tupac Shakur; to unite the greatest emcees from the East and West Coasts into a single, undeniable body of work. The Godbody delivers on that vision, aiming to give fans the feeling of “One Nation.”

The Godbody is produced in its entirety by Rakim and Nick Wiz, and features collaborations with Snoop Dogg, Ghostface Killah, Raekwon, KRS-One, Daz Dillinger, Kool G Rap, Buckshot, Kokane, and Killa Sin among others.

You can now order the album now on vinyl, CD, Cassettes and Merch bundles and more now at  https://dpgwutanggodbodylp.com/.

It is also available on all streaming services - https://compoundinterest.lnk.to/dpg_wutang_wutang_dpg_thegodbodylp 

Anthony Church "Grateful is an Understatement" [ALBUM] (PHYSICAL)

 

Grateful Is An Understatement offers a dose of reflection and is a testament to Church's perspective on life at the 10-year mark of his music journey.

The 12-track effort brings together 15 artists over entirely self-produced soundscapes, blending soulful boom bap textures with melodic, emotionally rich cuts. Every record creates space for honesty with stories about struggle, growth, faith, resilience, and the quiet victories we sometimes overlook.

Featuring appearances from the likes of Chester Watson, Jacobdeloakland, Heno. and more, the album feels cohesive yet diverse, unified by intentional decisions and a shared willingness to speak truth.

At its core, the project explores appreciation in its purest form. Gratitude for health. Gratitude for creativity. Gratitude for community. Gratitude for simply waking up and having another opportunity to try again. It acknowledges that even the smallest blessings, the ones we often take for granted, deserve recognition.

For Church himself, the album also served as real-time healing following a rough patch of personal events. Each beat crafted, each collaboration formed, and each story told became part of a path toward clarity. The result is a body of work that feels lived-in, thoughtful, and grounded. 

Grateful is an Understatement is out now physical format:
https://anthonychurch.bandcamp.com/album/grateful-is-an-understatement

For more information on Anthony Church:
https://www.instagram.com/anthonychurchmusic/  
https://www.tiktok.com/@anthonychurchmusic
https://x.com/antchurchmusic
https://anthonychurch.bandcamp.com/  
https://www.youtube.com/@anthonychurchbeats
https://www.facebook.com/anthony.church.9/   

It is also out on DSPs Friday 30th October:
https://distrokid.com/hyperfollow/anthonychurch1/grateful-is-an-understatement-2 

Anarchitact feat. Young Hump (Digital Underground) & Pacewon "On Da Mic" [SINGLE]

 

Dutch producer and rapper Anarchitact teams up with Young Hump of Digital Underground and Pacewon for his new single “ON DA MIC”.

Produced by Anarchitact himself, the track brings the three MCs together over a solid hip hop production. Alongside handling the beat, Anarchitact also steps up to the mic, trading verses with his two American guests.

The artwork was created by Dutch hip-hop legend Def P. Scratches are done by DJ Statinski.

Daniel Son x Asun Eastwood x Futurewave "Dejounte Murray" [EP + VIDEO]

"Dejounte Murray" puts Daniel Son and Asun Eastwood over four Futurewave productions, with Futurewave also shooting the video and Son Tzu editing. The NBA name reference frames the project, but the substance lives in the pairing: two MCs from the Griselda-adjacent underground working over concise, hard-hitting production. Futurewave's dual role as producer and visual architect keeps the aesthetic locked in everything filtered through one creative lens. Four tracks is the right size for this kind of focused, no-filler approach.

Transparency Note: Content & research created independently by HHHEADZ. AI tools are strictly used for translation and language refinement.

RetcH "SIX BRADY" prod. Zooter McGavin [VIDEO]

"FTW 2" marks RetcH's return after several years away from releasing music, a new chapter for the New Jersey rapper. "SIX BRADY" is the video single from that project, produced by Zooter McGavin. RetcH has spoken about moving with a different mindset, focused on making music that reflects where he is now rather than trying to recreate a previous moment. The record carries that shift: still raw, still Jersey-coded, but sharpened by absence and the clarity that comes with deliberate re-entry. Zooter McGavin's production gives him a frame that matches the new energy without abandoning the grit.

Transparency Note: Content & research created independently by HHHEADZ. AI tools are strictly used for translation and language refinement.

Meet The Greens "Terrorize Everything" [ALBUM]

 

"Terrorize Everything" continues the Meet The Greens saga across fifteen tracks, all produced by Blazy Green with lyrics written by the MCs who deliver them. Rated R is the sole guest, appearing on the title track. The tracklist reads like a worklog "Nothing New," "My Mentality," "Won't Stop Us," "Standard Example," "Higher Standard," "Drop Heaters" each cut under four minutes, most hovering around two and a half. It's assembly-line boom bap in the best sense: consistent output, no detours, and Blazy Green as the single production constant holding the whole machine together.

Transparency Note: Content & research created independently by HHHEADZ. AI tools are strictly used for translation and language refinement.

Conway the Machine "2012" prod. Wun Two [VIDEO]

"2012" is the year everything changed. In 2012, Conway was shot in the head, neck, and shoulder. Doctors initially believed he would be paralyzed from the neck down; today, the only permanent injury is partial facial paralysis, giving him his signature slur. The title alone carries that weight before a single bar is delivered. Wun Two, with whom Conway has previously collaborated on the "Mind Tricks EP" and "Palermo," provides the production dusty, loop-driven, and warm enough to let Conway's voice carry the heaviest material without drowning in it. The video, shot in Lisbon, adds a European visual dimension that contrasts the Buffalo origin story. It's autobiography compressed into a single track title, produced by someone who understands how to frame pain without exploiting it.

Transparency Note: Content & research created independently by HHHEADZ. AI tools are strictly used for translation and language refinement.

Sankofa x Chef Mike "Clea DuVall vs. Steven Seagal" [SINGLE]

"Clea DuVall vs. Steven Seagal" turns a pop-culture mismatch into rap architecture. Sankofa writes the bout, Chef Mike builds the ring, Tali Rodriguez engineers, and Bad Apple Design handles the visual. The concept sounds absurdist and it is but the execution stays sharp rather than sinking into gimmick territory. Sankofa plays the Michael Buffer role with pen-first precision, and the clean-language approach keeps the track accessible without dulling its edge. It's a short, smart record that knows exactly how ridiculous its premise is and leans in.

Transparency Note: Content & research created independently by HHHEADZ. AI tools are strictly used for translation and language refinement.

BennySlumz "My Empty World" feat. Tone Spliff [VIDEO]

"My Empty World" pairs BennySlumz with Tone Spliff, whose production signature soulful samples, layered drums, and a knack for atmospheric weight fits the song's introspective title perfectly. BennySlumz works the emptiness of the concept as a space to fill with personal reflection rather than theatrics. Hafice Slader directs the video, keeping the visual tone aligned with the music's internal focus. It's a quiet record in the best sense no volume, just depth.

Transparency Note: Content & research created independently by HHHEADZ. AI tools are strictly used for translation and language refinement.

Chinch 33 "Ultra Vibrant" [ALBUM]

 

"Ultra Vibrant" positions Chinch 33 at the intersection of German-language underground rap and international boom-bap craft. The feature list reads like a summit: MC Rene and Maniac on "RENE," Lakmann with Orange Field on "Hamlet," Morlockk Dilemma alongside Stu Bangas on "Chelsea-Grinsen," Retrogott with HTN on "Wofür der Name steht," and further guests including elo, Jakepot, Heliocopta, NALI, Franz Branntwein, besen, and Illien Rosewell across the tracklist. Solo cuts like "Guard Your Grill," "Slicker Than Your Average," and "Bloodsport" balance the collaborative pieces. HTN appears as a recurring production presence, while Stu Bangas' contribution on the Morlockk track bridges the German scene directly to US underground production. Chinch 33 holds the thread throughout not hiding behind names, but using them to expand the record's range while keeping his own voice at the center.

Transparency Note: Content & research created independently by HHHEADZ. AI tools are strictly used for translation and language refinement.

Moose Tarantino "The Royals" [ALBUM]

"The Royals" arrives as a full 13-track album, with Moose Tarantino committing to a scope that demands sustained quality. The title frames the project in royal imagery, while the Tarantino name reference suggests cinematic ambition. Without detailed production credits to lean on, the release stands on its structural commitment: an MC confident enough to deliver a long-form project and let the music justify the throne-room title.

Transparency Note: Content & research created independently by HHHEADZ. AI tools are strictly used for translation and language refinement.