Saturday, October 3, 2026
The Grouch & Eligh "Got to Give" (Day Version) prod. DJ Matt Cassidy [VIDEO]
SUPERIOR & LET THE DIRT SAY AMEN "The Saint, The Servant, The Sinner" [ALBUM]

"The Saint, The Servant, The Sinner" lands on FXCKRXPRecords as catalog number FRR102. Superior produces, Let The Dirt Say Amen performs, Sapphyre Bardot joins as the sole guest. The three title positions are not separate characters but simultaneous states of one person: the saint seeking alignment upward, the servant extending grace without condition, the sinner locked in self-indulgence. The tracklist works specific biblical coordinates throughout "J.O.N.A.H.", "From Bozrah Dipped In Blood", "7 Churches", "Why The Prophet Weeps". Bozrah appears in Isaiah 63 as the site where God's vengeance begins and his garments are stained with blood a precise reference rather than general spiritual atmosphere. Eleven tracks, all under four minutes, compress the theological density rather than expanding it.
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MOAN & DanimaL "Ascension" prod. MACI [VIDEO]
AK the Kid "Dead Zone" prod. SMG [SINGLE]

"Dead Zone" is the opening single from "Energy Exchange," the joint EP between AK the Kid and SMG. AK the Kid writes and performs, SMG produces. The project is framed as a proper EP rather than a loose singles campaign, and the title "Energy Exchange" positions the whole collaboration as a transfer of forces music as living transaction between the two artists.
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Apache & DJ Kanzer "Black Label" [VIDEO]
Showrocka "Stay Gold" [EP]

Jay Dubh produces the full album. PXGES executive produces, and Logikil at The Road to Audio handles mix and master. Grafh appears on "Confessions of a Dopehouse," Lyphe joins on "Outsidaz," and Spek Arson takes the remix of the Confessions track. The repeated return to that confessions frame tells you where the album's weight sits not spread across a wide guest list but concentrated into one central narrative line. "Stay Gold" as a title carries the S.E. Hinton echo from "The Outsiders," though it lands here in a street context where the gold is harder to hold. Seven tracks with no padding.
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DJ Hectik1 ft. UTK "Leimert Park Way" [VIDEO]
Mac Yames "Masters of the Flying Guillotine" [EP]
Raz Fresco & Nicholas Craven "Don't Belong" [VIDEO]
John the Bap "Audience of One" [ALBUM]

"Audience of One" has lived in development since the late 2000s and arrives now as a completed personal statement. John the Bap produces the entire record himself, directing every song toward God rather than toward a congregation private conversation built into boom-bap architecture with worship samples, raw drums and soulful texture. Altar Flame Music joins on four tracks, Mas Messenjah opens the album. The project carries the particular tension of all genuine spiritual music: it is deeply personal and simultaneously available to anyone who has sat alone with a question too large for ordinary language.
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God & Gunnz (Eloh Kush & Left Gunnz) "Life Of A Thought Dealer" [VIDEO]
EL Maryacho "Gunn & Friends" [ALBUM]

"Gunn & Friends" is EL Maryacho's full tribute remix album, produced entirely by him. Every track is credited to its original MCs: Westside Gunn across four cuts, Conway the Machine on three, Benny the Butcher on two, Mach Hommy, Estee Nack, Stove God Cooks, Boldy James and Sauce Walka filling the remaining slots. The project doesn't position EL Maryacho as a collaborator he stays off the mic and lets the tribute be honest. That choice matters: rebuilding someone else's performances over entirely new production without inserting yourself is a producer's act of respect rather than a co-sign play.
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Davodka "La Force d'une Ombre" [VIDEO]
ORION x MOGLY "A Cruel Summer" [ALBUM]

Indigo Phoenyx & BeatsByBoogie "Poseidon Paradox" [EP]

BeatsByBoogie provides the complete sonic frame while Jeremy Joshua handles mix and master. Indigo Phoenyx commands the project from a position the title already defines: Poseidon rules the ocean, and the paradox is maintaining power inside constant instability. OSVN joins on "Undertow," Griot Noy on "Luxe Legacy," but this remains Indigo's record through its vocabulary Black Waters, Sunken City, Tridents, Tidal Waves all pointing toward mythology used as survival code rather than decoration. Rugged Triad Records provides the release home. Five tracks across twenty minutes is the right scale for an idea this tightly imagined.
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Armani Caesar "The Liz Symphony" prod. Daringer [VIDEO]
ƎИAꓘ ЯƎTƧIИIƧ & Serenity Kane "Super Sloth" [EP]

A correction to a previous entry is warranted. In covering "Compound Fractures," I suggested CK1 and Sinister Kane were likely personas of a single writer that reading was correct. "Super Sloth" introduces Serenity Kane as another voice in the same persona-driven architecture, all lyrics remaining credited to Citizen Kane MHB. The project is explicitly a diss EP aimed at an MC called Yak Towne, giving it a concrete target. CFK and Avalon Productions handle the beats, DJ Snatch That cuts throughout. Six tracks: two substantial songs surrounded by interludes and a skit, with titles like "Baby Ruths Are Chunky. But Chunkys Are Good Too." bringing nursery-rhyme ridicule to bear on a formal diss structure.
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Jazefa "Requiem Maudit" feat. Sowil [VIDEO]
Unc Doe "Pick Up What I'm Droppin'" [SINGLE]

Unc Doe comes from Youngstown, Ohio, a city tied to industrial decline and a hip-hop tradition that rarely travels as far as it should. He writes, performs and produces "Pick Up What I'm Droppin'" entirely himself. The title issues a direct challenge to the listener: catch everything being laid down each bar, each idea, each image. Self-production closes the loop on full authorship, and the Youngstown address means this record exists without any infrastructure outside Unc Doe's own effort.
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Friday, October 2, 2026
Nasty Nel x Kid Gotti "Hip Hop Hooray" [VIDEO]
Mickey Diamond x Big Ghost Ltd "B.I.L.L.Y. 2" [ALBUM]

The important number here isn’t two—it’s five. “B.I.L.L.Y. 2” closes the specific narrative begun with “Wolf Tickets” and continued through “Black Sheep,” “Blood of the Lamb” and “B.I.L.L.Y.” Technically the second half of the fourth installment, it becomes the fifth release in “The Wolf, The Sheep, and The Goat.” That distinction separates this project from the duo’s “Gucci Ghost” run: the newer cycle was introduced with a more introspective, spiritually oriented purpose. The working structure remains concentrated. Big Ghost Ltd produces, Mickey Diamond writes and contributes additional production, while the recurring instrumentation credit belongs to Hector Puente Colon Jr. and the Santiago Men’s Basketball Philharmonic Orchestra. Their documented process combines sample selection with instrumental contributions, though the credits do not identify individual sample sources here. The clearest evidence of continuity sits near the finish: “Wire Tap (Missed Calls III)” extends a thread running back to “Wolf Tickets,” and the closing “U-Tang Forever” remix returns to the Method Man collaboration on the companion album. Swab, CRIMEAPPLE and Big Trip fill out the guest credits, but the record’s identity remains attached to its two principal authors. The finale is built into the sequencing and catalog connections—not merely declared in the title.
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Mathematics feat. Method Man & AZ "God Body" [VIDEO]
MYALANSKY x Action Figure 973 "Criminal Enterprise" [ALBUM]
Crotona P x Onaje Jordan "Cronaje Pordan" [ALBUM]

"Cronaje Pordan" is a true producer-MC album, right down to the title combining both names. Crotona P writes the record; Onaje Jordan produces it from front to back; Tali Rodriguez handles the complete mix and master. That consistency gives the ten tracks a stronger identity than a compilation of unrelated beats could provide. Gnyce contributes cuts on two selections, while the guest list stays controlled and functional. The earlier single "Yuck" now sits inside a broader sequence touching pressure, visible damage, street silence and the last laugh. Crotona’s writing supplies the grime; Onaje’s full-album discipline gives it the class referred to in the project’s own description.
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King Magnetic "Buckwild and Foul" feat. Bucky Luger [SINGLE]
Memphis Bleek & Shyst Vader "Pay the Fee" prod. DJ Profluent [VIDEO]
Devine Carama "Legacy Minded Men" [ALBUM]
Heliocopta & Retrogott "Dreck" [VIDEO]
Merkowitz "Marty Vol. 1" prod. Pro-Logic [ALBUM]

"Marty Vol. 1" could easily have collapsed under its guest list, but the construction keeps the hierarchy clear. Merkowitz is the two-MC unit of Dox Tha Doctrine and Syknisis, with Pro-Logic producing the full record. Canibus, KXNG Crooked, Mistah F.A.B., RZA, ETO and Holocaust bring recognisable voices, yet they operate inside one continuous producer frame rather than turning the album into a disconnected set of purchased verses. The songs are allowed to run close to traditional full-length rap form, giving the duo room to share space and develop ideas. It is labelled as the opening volume, but it doesn’t arrive like a preliminary sketch.
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Cory Gunz "96 Era" [EP]
Fat Joe feat. Pusha T & Dre "Set of Keys" [VIDEO]
HAZE "2 Hands" [SINGLE]

"2 Hands" documents a shift in authorship. HAZE produces himself for the first time, while Grubby assists with the mix and beat EQ. The artwork, created by HAZE’s son, gives the release another layer without turning it into a sentimental campaign. After years of recording over outside production and working within the Massachusetts underground, this is the point where the MC takes responsibility for the full musical foundation. The result matters as process: first self-produced record, first visual collaboration with his child, one release carrying both milestones.
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Gab Gotcha "BOSS'D UP" feat. GUAP THA GOD [SINGLE]
Gel Roc x Megabusive x Deeskee "Undefined" [VIDEO]
Jakprogresso "Skag" [EP]

"Skag" is total authorship: Jakprogresso writes, produces, arranges, records and mixes every piece himself. The songs stay compact, but the language remains deliberately crooked, moving through damaged body imagery, abstract observation, pulp references and the unexpected appearance of former quarterback Boomer Esiason. One factual correction is worth making: the seven listed runtimes add up to roughly seventeen minutes, not the twenty-five claimed in the project description. That mismatch doesn’t change the form—a short avant-rap transmission built over intentionally disjointed production—but it matters when the release is being documented accurately. The physical CD is limited to 23 copies.
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The Grouch & Eligh "Got to Give" [SINGLE]
Prolific Wone feat. Apex Zero & Mas Law "Bandaids" [VIDEO]
The Lil People, Rufus Sims, Jae Haze & Tony Baines "Is You Koo" [ALBUM]

"Is You Koo" is built around Chicago chemistry rather than outside validation. Rufus Sims and Jae Haze work as The Lil People, trading perspectives with the ease of a functioning group instead of two solo artists temporarily sharing a cover. Tony Baines provides the full production frame, with Jagwar Dot remixing two selections and Slitta appearing twice. The writing stays organized around clear subjects, while the title draws from everyday Chicago speech and turns a simple check-in into the project’s central question: are you solid, present and moving correctly? A 25-copy digipak edition keeps the physical release strictly local and collector-minded.
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MED "Strip Show" feat. Big Twins & Pok Dogg [SINGLE]
William J. Sullivan "Just Call Me Bill (Deluxe Edition)" [ALBUM]

"Just Call Me Bill" is less a conventional producer showcase than a map of William J. Sullivan’s listening history. His background runs through metal rooms, independent rap, experimental labels and high-level studio work, and the guest list reflects that width without turning into a random compilation. Rob Sonic and doseone connect the record to the left-field rap that helped shape Sullivan’s ear; ShrapKnel and Brian Ennals bring a harder contemporary edge; Luci, Hoko and Paris Texas widen the palette further. The deluxe edition places the complete instrumental sequence beside the vocal album, allowing Sullivan’s arrangements to stand without the MCs. Produced and mixed at his Long Beach studio, mastered by Alec Ness and issued on a 50-copy CD run, it is both résumé and personal statement.
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Killah Dilla x Gold Kid "Fine Wine Dining" [SINGLE]
4-IZE feat. Dillon "Dressed Up" [VIDEO]
OT The Real "HEAT II" [SINGLE]
Utopian Knights "alien." [ALBUM]

"alien." treats introspection as structure rather than mood. Mr. Greene moves from displacement and social disillusionment into family distance, depression, failed intimacy and the difficult work of accepting his own part in the damage. The writing is strongest when it refuses easy absolution: isolation may offer clarity, but it also exposes every excuse; marriage may collapse between two people, but Greene still accounts for what he carried into it. Stereo Schizo handles the full production frame, giving the record one continuous perspective from its brief overture to the closing epilogue, while BuBu keeps the technical side unified. The result is personal without becoming shapeless, and philosophical without hiding the human cost behind abstract language.
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Baron Von Alias ft. Skyzoo, Masta Ace, Smif-N-Wessun & Darien Brockington "And The Story Goes..." [SINGLE]
Baron Von Alias Brings Hip-Hop Royalty Together for “And The Story Goes…”
Independent Newcastle upon Tyne hip-hop artist Baron Von Alias returns with his latest single, “And The Story Goes…”, bringing together an extraordinary line-up of hip-hop royalty for a thought-provoking journey through storytelling, legacy, history and the idea that our stories never truly end.
Produced by Grammy-nominated producer Khrysis, “And The Story Goes…” delivers trademark boom-bap production, providing the perfect backdrop for an all-star collaboration featuring Skyzoo, Masta Ace, Smif-N-Wessun and Darien Brockington, with additional cuts from acclaimed turntablist, DJ A.D.S.
At the heart of the track is a simple but powerful idea: our stories continue long after the moment has passed. Through the words we leave behind, the actions we take and the music we create, pieces of our story can continue to travel through time, passed from one generation to the next.
That concept ties directly into the overarching themes of Baron Von Alias’ upcoming project, “Bootstrap Paradox,” where ideas of time, causality, history and the infinite possibilities of the multiverse are woven throughout the project.
“And The Story Goes…” takes those ideas and turns them into a meeting of generations and perspectives. Each guest brings their own interpretation of what it means for a story to continue, creating a track that feels both deeply personal and universal.
Masta Ace and Smif-N-Wessun bring decades of experience and perspective to the concept, while Skyzoo adds his trademark lyrical storytelling and intricate wordplay. Darien Brockington’s sublime vocals weave throughout the record, adding an emotional and soulful dimension to the track and reinforcing its timeless quality.
Baron Von Alias uses his own verse to bring the concept full circle, drawing on the structure of The Hero’s Journey and exploring the idea of leaving a mark on history so that the legend can live on long after the journey itself has ended. His perspective turns the track into a reflection on the artist’s desire to create something that can outlive them — becoming a story that continues to be told throughout the ages.
“From the beginning, I’ve always seen this project as a journey, and The Hero’s Journey is something that really resonates with the story I’m telling through Baron Von Alias and the whole Bootstrap Paradox project. With my verse, I wanted to bring that idea full circle and look at what it means to leave a mark behind — to create something that can outlive you. For me, that’s the ultimate goal: to make music that becomes part of your legacy, so that long after the journey has ended, the story is still being told. Because as long as the story continues, in some way, the legend lives on.”— Baron Von Alias
Adding another layer to the time-travelling concept, DJ A.D.S. provides the cuts, bringing fragments of other eras, voices and musical moments into the record. His scratches help reinforce the idea that music itself is a form of time travel, carrying voices and stories from the past into the present and potentially far beyond.
The result is a cinematic boom-bap collaboration that feels simultaneously rooted in hip-hop’s history and concerned with its future.
“And The Story Goes…” is more than a song about storytelling. It is a song about what happens when the story keeps going.
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